dovka comic overview week :: 17-01-07
I will not apologise for being late this week because I'm starting to think this will be the time each week when I post this so meh. Also seeing that I may not be able to do it every week but I'll keep hope up and try too. I kind of enjoy it actually. I want to put these reviews up earlier but I also want to read Bone and sit on my ass doing nothing so I can't seem to get a happy medium between the lot. I have also managed to break my chair which makes sitting at my computer less comfortable than it usually is I have a feeling after a week of sitting like this I will have the posture of a miner.
And I've just realised the cover of this apple juice carton looks like someone got a bit too excited over an apple, ewww. I can't drink anymore of that.
This week I bought: Aquaman #48, 52 #37, Green Lantern #16, JLA Classified #32, Spider-Man Reign #2, Spirit #2, Star Trek The Next Generation: The Space Between #1. Nothing at all was bad; I found Green Lantern a bit flat but it was one of the best issues in this volume. Aquaman introduces a new twist to an old villain and also has a double splash page of a map of the seascape which I know I'll be coming back to again and again. I really enjoyed reading Slott's Justice League which has sat in a draw for about 2 years - but reminds you why Slott is so loved by fanboys around the globe. I bought IDL's new Star Trek TNG comic just because I am a slight Trekky and I was very surprised of how much it felt like the TV series. I would suggest any fan of the TV series to at least give it a try.
Two Covers of the Week ::
52 #37
Cover by J.G. Jones
I honestly think J.G. has outdone himself this week. I think the biggest challenge in this cover would have been doing the curved reflective surfaces. Having Supernova reflect off the golden body of Skeets, and then off the "legs" of the evil little robot. Then having Booster Gold reflect off the insides of the "eyes" of Skeets - almost like Skeets is seeing the truth I suppose. Then having Booster holding the bottled city of Kandor which is another reflective surface. I think to put all them together takes such skill and talent I must also mention Alex Sinclair's colours on the cover. A lot of times he really makes the cover pop with the colours he adds and this week especially works well. All the different colours and tones must have been hard to do - reflecting Gold and Blue. They both pull it off fantastically though. And not to mention that the cover spoils or a better word reveals one of the biggest mysteries through 52 - OK many people had called it but there was still a lot of doubt. It was fun to see people walk into the comic shop and see the cover and just exclaim "whoa!" "oh shit" "oh snap" "hey!". Everyone was really excited by it and it worked a treat. However looking at J.G. Jones' Blog I can't help thinking I would have loved his concept cover. It looked like a great idea.
Y: The Last Man #53
Cover by Massimo Carnevale
I think this cover really jars your senses. You have a barely dressed supermodel woman on the front which first catches your attention. Then when you've stopped to stare for a while you see she is actually working as a trash collector. However, she isn't just any kind of trash collector - she is collecting the rotting remains of Men who were killed off in a mysterious plague. Bearing in mind the plague was well over a year ago - these bodies are pretty rotten now. It's not the most pleasant of jobs. But yes since you've stood there at the stand looking at this cover absorbing it all in, you want to read the comic. Adding that I'm sure we haven't seen this character in Y since the first volume (she was the first woman to find out Yorick was a man) I think it checks all boxes for an awesome cover.
Two Comics of the Week ::
Written by: Geoff Johns, Greg Rucka, Mark Waid and Grant Morrison
Break Downs: Keith Giffen
Art by: Pat Olliffe & Drew Geraci
Before I read this issue and just from the cover I knew it was going to be fanboy joy for me. I've been a huge fan of Booster Gold for many, many years. Since reading JLI stuff and then Giffen/DeMatteis' Formerly Known as the Justice League and I Can't Believe it is Not the Justice League. Where obviously played for laughs but you could see the sentiment behind it and it plays out really well. I have to applaud DC for using Booster in a much more serious role in recent years since Countdown to Infinite Crisis - which annoyingly was the best Blue & Gold story ever written and obviously the last.
So yes Booster Gold is Supernova (and it seems Rip Hunter is Daniel Carter too - but against we will see). He learnt about Skeets' true intentions in Rip's lab and after a meeting with the Time Master he faked his own death to go undercover to stop Skeets, using a lot of stolen technology and using a Phantom Zone projector to have his teleporting powers. A fight between Skeets and Booster in the abandoned Fortress of Solitude ends up with Skeets somehow managing to absorb the Phantom Zone and hints at the fact that Skeets may be being controlled by some outside force. Rip and Booster then escape using the missing 52 seconds… I love Time Travel stories I have to say - they aren't for everyone at all and paradoxes and lost time can confuse and just annoy people. But I revel in it actually - maybe it's watching too much Star Trek or Quantum Leap but they are my favourite types of stories and 52 is working just fine with Rip Hunter and time travel. I think after reading most of JSA that Geoff Johns is writing the majority of Booster Gold stuff. It just seems more like his style, along with probably Mark Waid too. Whoever is writing it they are giving me fanboy pleasure of seeing a favourite character kick ass. Now keep him alive for the remaining weeks!
The last part of the issue catches up with the funeral of another favourite character of mine, Animal Man. A nicely written funeral that is lead by Minister Lobo. However after everyone leaves Buddy wakes up shouting "DON'T LEAVE ME!!!". I think I let out one huge "YES!!!" after reading it. It's a pure fanboy moment which really made this week a fantastic comic for me. On top of that you turn the next page and two characters and standing there that haven't been seen in maybe 15 years. The two yellow aliens that gave Buddy his powers and also have shown they have the ability to rewrite continuity at their whim. When they "And so it begins." you know something major is going down.
The origin story is of the newest Firestorm Jason Rusch beautifully drawn by Jamal Igle. It's a shame that they do this origin story the same week that they announce his solo series is cancelled.
Just an issue full of fanboy moments for me which makes me just want to keep reading.
Spider-Man: Reign #2
Written and Art by: Kaare Andrews
I had just about decided which two were the best of the week and then I realised I hadn't read Spider-Man Reign #2 and whoa I was shocked by how much I loved it. So sorry Spirit #2 - you were a fantastic read but I'm afraid you were knocked out by fanboy loving of 52 and now a pure shock surprise for me - I enjoyed a Spider-Man comic.
I haven't enjoyed a Spider-Man story (in comics the movies are great) since I read Todd MacFarlane's stuff in trade when I was first getting into comics around 7 or 8 years old. Bearing in mind these stories were written before I was born it's been one hell of a long time since I think there has been a Spider-Man story. I know people say Ultimate Spider-Man was good when it started but I know the same people are now saying it's "trash with staples" so I'm happy I never bothered with any of the Ultimate stuff.
The shame is, this Spider-Man story isn't in continuity. But it's also a good thing, most people are fed up with the doom and depression that Marvel has to inject into everyone one of their comics. They kind of seem to have forgotten how to write heroes (which for me is a stark contrast between what is happening in DC especially 52) and yes this story has a dystopian future with depression being the main focus. But maybe it's about the light out of this darkness which will make this story one of heroes. What I do love about this future is that I can see this happening in the Marvel universe. They have never been a universe which loves their superheroes - I think the main difference between the DCU and the Marvel Universe is that the citizens of the DCU on the whole celebrate their heroes, they have Superman Day, and they cheer and look up into the skies when the superheroes are about. In the Marvel Universe you get "Spider-Man is a Menace" on the front of the Bugle. If he ever disappeared for a while I bet the papers would read "Finally Spider-Man has Left" where as in the DC is Superman leaves you get "Where is Superman?". So leading out from this difference you get a future that has banned masks, where there are no superheroes and only a government maintained police force in every city. This is not far off from where Civil War the Initiative is going (a registered Superhero force in every state) take off the masks and you have this future. So I appreciate however accidentally it might be that Kaare Andrews has made this feel like the Marvel Universe.
Obviously the other thing is that this does feel like the Dark Knight Returns. The style, the newscasters, and old hero coming out of a retirement to give hope to people once more. But it does play out differently which to me makes it not just a copy.
J. Jonah Jameson is the break out in this issue. Calling out for his old adversary Peter Parker to put on the mask once more and lead the civilians to freedom. In the first issue he comes across as a quack and old man who has completely lost it all looking to maybe tie up the bad blood he had with Peter when they were younger. In this issue you realise he needs Spider-Man, the knows the city does. He has become the voice of liberty and freedom with a group of kids following his lead and a voice that they have never heard.
Peter is a man crushed, he was always the poor guy who was down on everything, late, no rent, unable to have a good relationship. Whose only escape was Spider-Ma. Now he is a crushed old man who doesn't accept the death of his wife, who is just stumbling through life. It plays out beautifully to the moment when Peter "unknowingly" straps on the costume and accepts his place again the police force "the Reign". He is witty again “There are three kinds of people in this world. Those who can count … and those that can’t.†You accept the old man under the mask is Peter and you cheer for the fact he is back.
You see the inspiration that the world needs, the Hypno Hustler nearly makes his most triumphant return - but forgets fresh batteries. The people start fighting back against the Reign.
However Peter is beaten to a pulp and then pulled away by the arms of Otto Octavius after being beaten by a government sponsored Sinister Six (which is also not too far away from what we are seeing in Civil War).
I want this story to be in canon because I think it has played out so well. Seriously if you love the character or have ever enjoyed Spider-Man buy this mini. It's beautifully written.
And I've just realised the cover of this apple juice carton looks like someone got a bit too excited over an apple, ewww. I can't drink anymore of that.
This week I bought: Aquaman #48, 52 #37, Green Lantern #16, JLA Classified #32, Spider-Man Reign #2, Spirit #2, Star Trek The Next Generation: The Space Between #1. Nothing at all was bad; I found Green Lantern a bit flat but it was one of the best issues in this volume. Aquaman introduces a new twist to an old villain and also has a double splash page of a map of the seascape which I know I'll be coming back to again and again. I really enjoyed reading Slott's Justice League which has sat in a draw for about 2 years - but reminds you why Slott is so loved by fanboys around the globe. I bought IDL's new Star Trek TNG comic just because I am a slight Trekky and I was very surprised of how much it felt like the TV series. I would suggest any fan of the TV series to at least give it a try.
Two Covers of the Week ::
52 #37
Cover by J.G. Jones
I honestly think J.G. has outdone himself this week. I think the biggest challenge in this cover would have been doing the curved reflective surfaces. Having Supernova reflect off the golden body of Skeets, and then off the "legs" of the evil little robot. Then having Booster Gold reflect off the insides of the "eyes" of Skeets - almost like Skeets is seeing the truth I suppose. Then having Booster holding the bottled city of Kandor which is another reflective surface. I think to put all them together takes such skill and talent I must also mention Alex Sinclair's colours on the cover. A lot of times he really makes the cover pop with the colours he adds and this week especially works well. All the different colours and tones must have been hard to do - reflecting Gold and Blue. They both pull it off fantastically though. And not to mention that the cover spoils or a better word reveals one of the biggest mysteries through 52 - OK many people had called it but there was still a lot of doubt. It was fun to see people walk into the comic shop and see the cover and just exclaim "whoa!" "oh shit" "oh snap" "hey!". Everyone was really excited by it and it worked a treat. However looking at J.G. Jones' Blog I can't help thinking I would have loved his concept cover. It looked like a great idea.Y: The Last Man #53
Cover by Massimo Carnevale
I think this cover really jars your senses. You have a barely dressed supermodel woman on the front which first catches your attention. Then when you've stopped to stare for a while you see she is actually working as a trash collector. However, she isn't just any kind of trash collector - she is collecting the rotting remains of Men who were killed off in a mysterious plague. Bearing in mind the plague was well over a year ago - these bodies are pretty rotten now. It's not the most pleasant of jobs. But yes since you've stood there at the stand looking at this cover absorbing it all in, you want to read the comic. Adding that I'm sure we haven't seen this character in Y since the first volume (she was the first woman to find out Yorick was a man) I think it checks all boxes for an awesome cover.Two Comics of the Week ::
Written by: Geoff Johns, Greg Rucka, Mark Waid and Grant Morrison
Break Downs: Keith Giffen
Art by: Pat Olliffe & Drew Geraci
Before I read this issue and just from the cover I knew it was going to be fanboy joy for me. I've been a huge fan of Booster Gold for many, many years. Since reading JLI stuff and then Giffen/DeMatteis' Formerly Known as the Justice League and I Can't Believe it is Not the Justice League. Where obviously played for laughs but you could see the sentiment behind it and it plays out really well. I have to applaud DC for using Booster in a much more serious role in recent years since Countdown to Infinite Crisis - which annoyingly was the best Blue & Gold story ever written and obviously the last.So yes Booster Gold is Supernova (and it seems Rip Hunter is Daniel Carter too - but against we will see). He learnt about Skeets' true intentions in Rip's lab and after a meeting with the Time Master he faked his own death to go undercover to stop Skeets, using a lot of stolen technology and using a Phantom Zone projector to have his teleporting powers. A fight between Skeets and Booster in the abandoned Fortress of Solitude ends up with Skeets somehow managing to absorb the Phantom Zone and hints at the fact that Skeets may be being controlled by some outside force. Rip and Booster then escape using the missing 52 seconds… I love Time Travel stories I have to say - they aren't for everyone at all and paradoxes and lost time can confuse and just annoy people. But I revel in it actually - maybe it's watching too much Star Trek or Quantum Leap but they are my favourite types of stories and 52 is working just fine with Rip Hunter and time travel. I think after reading most of JSA that Geoff Johns is writing the majority of Booster Gold stuff. It just seems more like his style, along with probably Mark Waid too. Whoever is writing it they are giving me fanboy pleasure of seeing a favourite character kick ass. Now keep him alive for the remaining weeks!
The last part of the issue catches up with the funeral of another favourite character of mine, Animal Man. A nicely written funeral that is lead by Minister Lobo. However after everyone leaves Buddy wakes up shouting "DON'T LEAVE ME!!!". I think I let out one huge "YES!!!" after reading it. It's a pure fanboy moment which really made this week a fantastic comic for me. On top of that you turn the next page and two characters and standing there that haven't been seen in maybe 15 years. The two yellow aliens that gave Buddy his powers and also have shown they have the ability to rewrite continuity at their whim. When they "And so it begins." you know something major is going down.
The origin story is of the newest Firestorm Jason Rusch beautifully drawn by Jamal Igle. It's a shame that they do this origin story the same week that they announce his solo series is cancelled.
Just an issue full of fanboy moments for me which makes me just want to keep reading.
Spider-Man: Reign #2
Written and Art by: Kaare Andrews
I had just about decided which two were the best of the week and then I realised I hadn't read Spider-Man Reign #2 and whoa I was shocked by how much I loved it. So sorry Spirit #2 - you were a fantastic read but I'm afraid you were knocked out by fanboy loving of 52 and now a pure shock surprise for me - I enjoyed a Spider-Man comic.I haven't enjoyed a Spider-Man story (in comics the movies are great) since I read Todd MacFarlane's stuff in trade when I was first getting into comics around 7 or 8 years old. Bearing in mind these stories were written before I was born it's been one hell of a long time since I think there has been a Spider-Man story. I know people say Ultimate Spider-Man was good when it started but I know the same people are now saying it's "trash with staples" so I'm happy I never bothered with any of the Ultimate stuff.
The shame is, this Spider-Man story isn't in continuity. But it's also a good thing, most people are fed up with the doom and depression that Marvel has to inject into everyone one of their comics. They kind of seem to have forgotten how to write heroes (which for me is a stark contrast between what is happening in DC especially 52) and yes this story has a dystopian future with depression being the main focus. But maybe it's about the light out of this darkness which will make this story one of heroes. What I do love about this future is that I can see this happening in the Marvel universe. They have never been a universe which loves their superheroes - I think the main difference between the DCU and the Marvel Universe is that the citizens of the DCU on the whole celebrate their heroes, they have Superman Day, and they cheer and look up into the skies when the superheroes are about. In the Marvel Universe you get "Spider-Man is a Menace" on the front of the Bugle. If he ever disappeared for a while I bet the papers would read "Finally Spider-Man has Left" where as in the DC is Superman leaves you get "Where is Superman?". So leading out from this difference you get a future that has banned masks, where there are no superheroes and only a government maintained police force in every city. This is not far off from where Civil War the Initiative is going (a registered Superhero force in every state) take off the masks and you have this future. So I appreciate however accidentally it might be that Kaare Andrews has made this feel like the Marvel Universe.
Obviously the other thing is that this does feel like the Dark Knight Returns. The style, the newscasters, and old hero coming out of a retirement to give hope to people once more. But it does play out differently which to me makes it not just a copy.
J. Jonah Jameson is the break out in this issue. Calling out for his old adversary Peter Parker to put on the mask once more and lead the civilians to freedom. In the first issue he comes across as a quack and old man who has completely lost it all looking to maybe tie up the bad blood he had with Peter when they were younger. In this issue you realise he needs Spider-Man, the knows the city does. He has become the voice of liberty and freedom with a group of kids following his lead and a voice that they have never heard.
Peter is a man crushed, he was always the poor guy who was down on everything, late, no rent, unable to have a good relationship. Whose only escape was Spider-Ma. Now he is a crushed old man who doesn't accept the death of his wife, who is just stumbling through life. It plays out beautifully to the moment when Peter "unknowingly" straps on the costume and accepts his place again the police force "the Reign". He is witty again “There are three kinds of people in this world. Those who can count … and those that can’t.†You accept the old man under the mask is Peter and you cheer for the fact he is back.
You see the inspiration that the world needs, the Hypno Hustler nearly makes his most triumphant return - but forgets fresh batteries. The people start fighting back against the Reign.
However Peter is beaten to a pulp and then pulled away by the arms of Otto Octavius after being beaten by a government sponsored Sinister Six (which is also not too far away from what we are seeing in Civil War).
I want this story to be in canon because I think it has played out so well. Seriously if you love the character or have ever enjoyed Spider-Man buy this mini. It's beautifully written.



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